I like this capture because within it, is almost a summary of all the colors you'll see in a sunrise. The dawn's dark but blue light fades off the backside of the mountain. The multicolored phase takes center. The final sunrise stage of a golden shimmer is painted across the east-most cliff face.
Another dramatic shot of the sunrise colors of the Tetons mornings produce these glassy lakes and fantastic colors. During the trip, this was the closest we got to a clear view of the mountains, but if you ask me, the trailing clouds add a lot of texture.
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Shot on @canonusa 6D | EF 75-200 F4 L
Because the spring is so unpredictable in @grandtetonnps, sometimes the best hope you have for a clear view of the range is getting up early. Here the mountains sit on the opposite side of Jackson Lake, basking in an early morning sun. The colors in the morning are as breathtaking as they are varied.
Here's a shot from the home around @grandtetonnps 's Jenny Lake. It's a beautiful sunny day here, but what you can't see is that a couple hours later, a monsoon-like rain (feat. Some Hail) pounded us on the last leg of the hike. So glad I got to see all sides of this wonderful lake!
Springtime in Wyoming is tricky. It could be a beautiful, breezy day. It could be rainy and foggy. Further yet, it could snow. All of these cases we were warned, and all of these cases we saw in one weekend in Wyoming. Here is a shot of Jenny Lake in Grand Teton National Park on one such case. Somehow, regardless of the weather, these mountains put on a show.
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Shot on Nikon F1, on Fujifilm Pro 400H 35mm
A straight on view of Mt. Moran on Medium Format. Be ready, there's going to be a lot of shots from @grandtetonnps and its VIEWS.
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Shot on the Mamiya RB67, on Fujifilm Pro 400H
Last pic of the Rio Grande (for now). This one in gorgeous black and white film.
The bridge over the Rio Grande, shot on my Medium Format Mamiya RB67.
A picture, this time of the bridge itself, rather than from ON it.
Looking downstream on the Rio Grande!
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Canon 6D | Tokina 11-16
